This is a pick where the songwriter herself might not agree with me. Caroline Rose doesn’t play “America Religious” any more, nor any of the other songs from her first two albums. The singer-songwriter drastically changed her sound on most recent album Loner, from Americana to to a spunky indiepop. On the whole, her music might be better for it; Loner is the best record of her career*. But even if she might just as soon forget about a roots-rock gem like “America Religious,” we shouldn’t.
Anyone who doesn’t appreciate a pun as stupid-brilliant as “Medieval Knieval” needs more joy in their life. And the beauty of surf-rock music is that titling a song “Medieval Knieval” doesn’t require any daredevil-knight lyrics to live up to the billing. After all, I don’t know what “Walk, Don’t Run” had to do with strolling safely.
Bullfighting seems an odd metaphor for love, but Alexandria Hall makes it stick in her mesmerizing dream-electropop song “Matador.” Take the opening lines: “It’s not the red. I can’t see it. All I see is you.” Right off the bat, the bullfighting comparison works better than expect – plus you learn some zoology (did you know bulls are colorblind to red? The cape hue is purely for the spectators).
In my years as a music publicist, I learned how difficult it was to get one of your artists interviewed on NPR (one of the few press hits that actually might sell some records). At a bare minimum it typically requires new music. Pitching a seven-year old song would get you laughed out of the producer’s inbox.
But listeners to Weekend Edition this summer heard a new segment about a song that came out in 2012. Vermont band Swale joined host Scott Simon to discuss “If You Get Lost.” The “news peg,” such as it was: They’d submitted it to the annual NPR Music Tiny Desk contest. Though they didn’t win, they got one hell of a consolation prize.
Two years before releasing “Don’t Let the Darkness In,” Anders Parker worked with Jim James, Jay Farrar, and Will Johnson to record an album of unheard Woody Guthrie lyrics (still enough left over after two Mermaid Avenues, apparently). One wonders if diving deep into Woody’s work affected the veteran artist’s own songwriting.
The titular echo of The Velvet Underground’s “Candy Says” here is surely no accident. At times, Black Rabbit sound like they could be playing one of Andy Warhol’s happenings with some sort of trippy light show projected on them. They may have rocked a little too hard for a Factory crowd though; the CBGB stage a few years later might have been the better fit. Sure enough, frontcouple Marc and Darlene Scarano used to play CBGB, sweating on the same stage as The Ramones and Dead Boys once did, albeit several decades later.
The genre tag “quiet storm” refers to emotive R&B ballads across eras. Named after a Smokey Robinson song, quiet storm emerged as a popular radio format in the ’70s and later grew to encapsulate the neo-soul boom of the ’90s. A playlist that segued from Luther Vandross into Sade would be peak quiet storm.
Clever Girls’ music sounds nothing like quiet storm.
“Day of the Dead” is as much a short story as a song. And like many good short story writers, Hana Zara offers enough evocative details to sketch a few narrative outlines while leaving much of the specifics to the imagination.
Greil Marcus first coined the term “the old weird America” to describe the strange sounds on Harry Smith’s Anthology of American Folk Music collection. He connected those ’20s and ’30s folk and blues recordings to Bob Dylan and The Band’s “basement tapes,” which drew these dawn-of-recording-technology sounds and songs into the pastoral country-rock 1960s.
Ali T – Electric Haze
Alison Turner is an artist out of time. She’s a singer-songwriter, but not with the folky connotations the phrase often takes on. Rather, something like “Electric Haze” sounds made for radio. Late-’90s radio, that is, when artist like Jewel and Meredith Brooks were racking up top-ten hits. It wouldn’t have a chance today, but “Electric Haze” ably walks to tricky line of engaging with nostalgia while creating something new.