Jan 312019
 
best new songs january
Adaline – Genese’s Song


“Genese’s Song” sounds like a Simon & Garfunkel tune recorded on the Mountain Goat’s early tape deck. Like Adaline Bancroft’s entire album, there’s a hiss and fuzz (the songs were indeed recorded on a four-track tape machine) that adds a haunting distance from the music. It feels like unearthing a dusty old recording, weathered with time, but with the tenderness and beauty shining through the decay. Fellow folkie Eric George joins on upright bass for this song, though that’s an instrument the tape recorder can’t really capture. Continue reading »

Dec 202018
 

I only stepped foot in Vermont once this year.

That’s the dirty little secret of this blog (well, not that secret; it says it right on the About page): I don’t live there. Haven’t since I started doing this last year.

That’s going to change when I move back in the spring, but the aim of the site won’t. I conceived of County Tracks as helping to expose the best music created in Vermont to non-Vermonters. In the digital era, it’s easy for an expat dedicated enough to follow any local scene from afar. What’s trickier is getting great local music heard by people who have no reason to care about the category of “Vermont music.”

This ties into a broader problem. The glut of choice of streaming, rather than leveling the playing field, has mostly helped the famous get more famous. Yesterday’s Wall Street Journal had a Billboard staffer claiming Drake was “bigger than the Beatles” because all 25 tracks on Drake’s new album appeared on the Hot 100 simultaneously. I won’t even get into the “bigger than the Beatles” nonsense (come on). The more important point is that, overwhelmed by choice, listeners are gravitating towards what they know. No matter how many times a digital music CEO says the word “discovery,” actual music discovery seems harder than ever.

I don’t know if any of the artists below are blowing up Spotify playlists, or whether any computer algorithm is pushing them on users. But they deserve attention. Great music happens beyond the big cities and big labels; it just needs exposure. In my small way, I hope these lists help a little. There’a lot of great music being made in Vermont. More people outside Vermont – people like me – need to hear it.

Continue reading »

Dec 182018
 
best vermont songs

I tried to discern some overarching theme with this year’s Best Songs list. One has to write something in these intros, after all. I never came up with one (other than that the songs are all, you know, good). But maybe that diversity itself offers a narrative thread.

The only thing many outsiders seem to associate with Vermont music is jam bands. Mostly one jam band, really. Now, I’m sure learning that Vermont has other genres wouldn’t surprise any outsider. But learning that the music being created in those genres is equally vibrant – and equally supported by the local music scene – might. 

Continue reading »
Dec 172018
 
best vermont 2018

This summer, Nine Inch Nails released Bad Witch, originally billed as the final EP in a three-EP trilogy. Only Trent Reznor said upon release that, even though it only contains six songs, it wasn’t an EP after all. “Want to know why it’s being labelled an LP instead of an EP?” he wrote in response to a fan questioning the change. “EPs show up with singles in Spotify and other streaming services = they get lost easier. EPs feel less important in today’s music-isn’t-as-important-as-it-once-was world. Why make it easier to ignore?”

In the digital-music era, the boundaries between an LP and an EP are porous at best. Bands can mostly decide for themselves what to label a release. Some artists have begun calling their EPs “mini-albums” (which is not a thing). Kanye West produced a series of seven-song projects this summer, few topping 25 minutes. None were labeled EPs. In the physical media era, there were concrete differences between an album, EP, and single: size, price, etc. Now it’s a free-for-all.

Continue reading »

Oct 312018
 

See previous monthly Best-Of lists here.

best new songs october

Adam Rabin – Trains That Never Come


Is progressive rock due for a comeback? The Washington Post‘s David Weigel released a well-reviewed book on the subject last year (I still gotta read that thing), which seems like it might auger a renaissance. But other than that… let’s just say Pitchfork hasn’t started reviewing Rush reissues. Adam Rabin, of proggers Elephants of Scotland, makes his own argument for the genre on new album The Badger Flies at Dawn. He brings in pop and orchestral melodies in sweeping arrangements that nod toward Genesis and… I suppose I’m part of the problem, as I have few other points of reference. If, like me, you need a genre introduction, “Trains That Never Come” offers an easily accessible place to start. No 7/5 time signatures required. Continue reading »

Sep 012018
 

See previous monthly Best-Of lists here.

best new songs august

Abby Sherman – Wanting to Run


Great little details abound in the final song off Abby Sherman’s debut album: “The callused fingers fumble over the strings. / Do you only find me beautiful when I sing? / In a dark bar where the lights are kept low. / Nothing better to do and no where better to go.”

Baby Brush – Dinos


I feel I wasted a good Frank Zappa comparison in last month’s list. Vermont expats Baby Brush – Christopher Davis, Peter Housekeeper, Theodore Housekeeper, and Ryan Kochalka (James‘ nephew) – sounds far closer to Zappa than anything I’ve encountered so far, twisting and warping just about every genre in popular music on their debut album. Opening track “A Tribute to Foot” turns doo-wop on its head, with the only lyrics being “foot foot.” Then “Dinos” alternates wild guitar with wonked-out synthesizers over lyrics about nipple tassels, sounding like five song ideas crammed into one. Like Zappa himself, it’s a delicate balance that occasionally falls off the edge of insanity – but succeeds far more often than it should. Continue reading »

Jul 312018
 

See previous monthly Best-Of lists here.

best songs july 2018

The Aztext ft. Xenia Dunford – Everyday Sun


Last month I wrote about Xenia Dunford’s dual comeback EPs. They split along genre lines: the first singer-songwriter Americana, the second a little jazzier. Now she’s dabbling in a third genre: hip-hop. On rap duo The Aztext’s new single “Everyday Sun,” Dunford proves herself a perfect hook singer. The blend producer Rico James creates with her voice and an infectious horn line sounds like a ’70s Stevie Wonder jam. Continue reading »

May 242018
 

emma back little world

Many prominent artists are recording “political” albums these days. But almost inevitably, the lyrics tend to paint a blurry picture. Musicians have over-learned the lessons of 1960s protest singers, who wrote songs so timely that they became dated within days. Is anyone’s favorite Dylan song really “Talkin’ John Birch Paranoid Blues”? Today’s overcorrection leads to broad generalities about “the fight” and “resistance,” without speaking to the times in any direct way.

Emma Back’s fantastic new album Little World is a political album too, but Back has something specific to say. No, she’s not chronicling the Iran deal’s dissolution. There’s no “Talkin’ Bob Mueller Blues,” and the word “Trump” does not come up once. Little World succeeds where others have failed because, rather than attempting a sweeping statement about “our times,” Back drills into one specific subject: war in the Middle East. Continue reading »

Mar 302018
 

best songs march

See previous monthly Best-Of lists here.

Aviation – Invisible Boy


In 1980, Queen delivered one of the great superhero themes of all time with “Flash.” If the Invisible Boy were a real superhero, Aviation gave him an equally bombastic theme song, a six-minute epic complete with piano crescendoes, scorching guitar solos, and canned applause. He’s not real, though. In fact, as you discover over the course of the song, he’s not exactly a superhero after all, just a lonely kid who sits by himself at lunch. Well, now he’s a lonely kid with an epic piano-prog theme song. Continue reading »

Dec 192017
 

best vermont albums

After counting down the Best Songs and Best EPs last week, our year-end look back comes to a close with the Best Vermont Albums. This list could easily have been twice or three times as long, but for the sake of concision – and offering a brief scene intro for outsiders – I limited it to ten. The cream of the crop, the albums with not an ounce of flab or filler.

Genre-wise, they run the gamut, from instrumental bass funk to snappy power-pop, from horn-flecked Americana to roaring slacker-punk. Some tackle current events with wit and insight. Some focus more on chilling, eating sweets, or doing laundry. The only unifying characteristic here is quality. Continue reading »