Mar 312020
 
Amelia Devoid – Side A


I was just listening to a podcast where the hosts were debating what type of music they needed during this crisis. One wanted peppy, upbeat songs to lift them from their funk. The other wanted downcast, inward-looking songs to match their current mood. No wrong answers. If you want something blissful and ambient to relax to, Amelia Devoid’s got you covered. Continue reading »

Mar 202020
 
vermont bandcamp

As you may have heard, Bandcamp is waving all its fees until midnight tonight to deliver 100% of the money to musicians. In this time of cancelled gigs and an uncertain future, artists need your support more than ever. So go nuts. To start, here are twenty-five great 2020 albums to buy there.

Note: Bandcamp’s site is currently pretty overloaded. So bear with it. And, if none of their embeds show up below, reload this page until they do. Continue reading »

Mar 192020
 
songs to stay inside

There are a million playlists to soundtrack your social distancing. But how about a playlist of songs about social distancing?

These 20 antisocial songs from Vermont artists new and old all touch on keeping your distance and staying inside. Some of them offer good advice for our current predicament. Others offer extremely bad advice. You should never take advice from a musician. Continue reading »

Dec 182019
 
best vermont 2019

Critics of ranked lists like this see it as a bug that they’re entirely subjective and somewhat arbitrary. I see it as a feature. There’s not really any difference between #12 and #13. Frankly, there’s not all that much difference between #1 and #25. But my feeling has always been, everyone gets that. No one actually thinks you can mathematically rank works of art. But the trying offers a wonderful opportunity for music nerds to look back at the best of the year, and for the sort of vigorous debate on which such nerddom rests. Continue reading »

Dec 172019
 
best songs 2019

This Top 40 looks nothing like the actual Top 40. None of these songs charted, and I don’t think any of them aspired to. That is no knock against them, which probably goes without saying here – anyone reading music blogs knows that much. The adjectives “great” and “popular” occasionally attach themselves to the same track, but not often enough.

So just think of this as an alternate history of 2019 singles. It has no horses, and no town roads. It doesn’t teach love, patience, or pain, and isn’t 100% that anything. It also, as the headline says, only includes artists from one rather small state. But this wildly subjective, somewhat arbitrary survey of the past 12 months should serve as a small introduction to the wealth of talent in one community on the geographic fringe. There was a lot of wonderful music being made this year, much of it far from the big cities, or the Billboard charts. Duh. Continue reading »

Dec 162019
 
best eps 2019

Fifteen is a pretty stupid number for a list like this. I tried to get it down to a nice round ten, but some of the cuts to get to fifteen had been so painful that the idea of losing five more almost physically hurt (I realize I may take these lists too seriously). So fifteen it is. “A baker’s dozen,” as people who don’t know what a baker’s dozen is might say. Continue reading »

Dec 132019
 
michael chorney hollar general

These days, composer and guitarist Michael Chorney is probably best known for his work with Anaïs Mitchell on her recent Broadway hit Hadestown, for which he won a Tony Award earlier this year (he plays in the band every night too). But a dive into his extensive discography wouldn’t uncover many other numbers meant for the stage. Half of his albums are ambient guitar instrumentals, and even the ones with “songs” tend toward the weird and woolly. Continue reading »

Dec 122019
 
blue button

When you hear “parsley, sage, rosemary, and thyme,” you no doubt imagine the bucolic harmonies of “Scarborough Fair.” But Jason Cooley borrows the phrase in “Hit,” and he’s certainly no Simon or Garfunkel. The punk shouter roars the line at 11, just as he roars every line, hollering his voice hoarse in the span of a pretty short song (half of which is a guitar solo). Continue reading »

Dec 112019
 
crater lake

Though this band hailed from Vermont, you’d be forgiven for guessing they came out of Austin’s famous psych-rock scene. Loud and droney, they channel the likes of that city’s Black Angels or, from just north of their own state’s border, Montreal’s Besnard Lakes. “Head Out” caps out at 3:38, but one can imagine a song like this stretching to three or four times the length live. Continue reading »