Few genres get as ridiculed as rap-rock, and for good reason (two words: Limp. Bizkit.). But, in their new single “Sleeping On My Own,” three Vermont musicians recombine rock and rap in a much more palatable way.
Music festivals have been cancelled this summer – barring, of course, your occasional Smash Mouth-headlined superspreader event. In lieu of putting on new shows, established festivals have tried a variety of “virtual” events. Some have gotten a series of artists to perform from their homes; some have been re-airing a bunch of old performances. All are trying to make it feel like an event, with varying degrees of success.
Elder Orange – Stella
Matt Scott, aka Elder Orange, wrote his new EP Stella inspired by his ’71 Stella parlor acoustic guitar. But despite the acoustic guitar-influence, singer-songwriter music this isn’t. Scott’s a producer and composer who builds immersive instrumental soundscapes incorporating that guitar here and there, but not beholden to it. In this case, he says, “Stella is a blend of a lot of my favorite sounds; dusty 60’s funk rock laced with boom-bap alt-latin vibes and gritty electro-fusion.”
On March 26, two days after Vermont governor Phil Scott issued a Stay-at-Home order, a video appeared on local blues guitarist Seth Yacovone’s dormant YouTube page. Titled “Seth Yacovone’s Quarantine Video Single #1: ‘Welcome’,” it featured his own song of that name and what he called a “surprise B-side.” The surprise was – spoiler alert – a cover of the timely Pink Floyd song “Nobody Home.”
Amelia Devoid – Counters
It’s not clear if this song was written in our current self-isolation, but even if it wasn’t, lines like this have a new resonance: “I’ve been wiping down counters / and counting down hours / ’til i can lay in the flowers again”.
Dave Richardson is a Beatles fan.
I know – who isn’t, right? But Dave is a big Beatles fan. He’s also a singer-songwriter up in Vermont, so every morning during this period of self-isolation, he’s been posting a new Beatles cover. He calls it “Beatles with Breakfast.” Most are performed solo – naturally – on guitar or occasionally dulcimer, and all are totally charming. With each one, he holds up the corresponding record, often rare singles and 45s. He says he got them all at yard sales in the ’90s, before anyone cared about old vinyl.
I wish I’d come up with the “spaghetti western doom metal” label, but that’s how the band Wolfhand describes itself. And it’s been a while since I’ve come across a zany genre combo that was so dead-on accurate. Both components are equally present on this quintet’s debut album The Devil Arrives. They go together so well you wonder why it’s not a more common sound. They should have called themselves Mörricöne.
Lotta train songs in the history of American music. “I’ve Been Working on the Railroad.” “City of New Orleans.” “Wabash Cannonball.” Johnny Cash did a whole album of train songs in 1960. Then, two years later, he did a second.
Train songs as a staple of American music pretty much dried up when riding the train here did. Unless Joe Biden records an album about his beloved Amtrak, our supply of new train songs is in short supply.
Amelia Devoid – Side A
I was just listening to a podcast where the hosts were debating what type of music they needed during this crisis. One wanted peppy, upbeat songs to lift them from their funk. The other wanted downcast, inward-looking songs to match their current mood. No wrong answers. If you want something blissful and ambient to relax to, Amelia Devoid’s got you covered.
Francesca Blanchard’s whimsical new music video was filmed in New York City well before the coronavirus crisis. But watching her wander through mobs of people now in the clip for her single “Did It To Myself,” I couldn’t help thinking, “Six feet apart, guys!”
But if you’re walking the streets in a wedding dress singing to yourself, people might steer clear regardless.