Oct 312018
 

See previous monthly Best-Of lists here.

best new songs october

Adam Rabin – Trains That Never Come


Is progressive rock due for a comeback? The Washington Post‘s David Weigel released a well-reviewed book on the subject last year (I still gotta read that thing), which seems like it might auger a renaissance. But other than that… let’s just say Pitchfork hasn’t started reviewing Rush reissues. Adam Rabin, of proggers Elephants of Scotland, makes his own argument for the genre on new album The Badger Flies at Dawn. He brings in pop and orchestral melodies in sweeping arrangements that nod toward Genesis and… I suppose I’m part of the problem, as I have few other points of reference. If, like me, you need a genre introduction, “Trains That Never Come” offers an easily accessible place to start. No 7/5 time signatures required. Continue reading »

Oct 292018
 

dave richardson

When I first wrote about Vermont folk singer Dave Richardson’s new album Carry Me Along, I highlighted his wonderful song about squids. His latest single, just in time for Halloween, tackles a darker subject. Richardson covers “The Unquiet Grave,” an English folk song hundreds of years old narrated by a woman in her grave. It’s kind of a murder ballad for someone already dead, a man metaphorically killing a ghost by mourning so relentlessly her soul can’t finding peace.

“The first version I heard of this song was a recording by Jean Ritchie,” Richardson says. “The ghostly imagery of the woman speaking from within her grave, her ‘earthly strong’ breath, hooked me. It is an achingly beautiful and sad depiction of grief and loss. That combination of graphic imagery and devastating grief got into me and stayed with me. But both of those things are big in my life. I love scary stories, horror, and spooky ballads. And I really, really love sad songs that penetrate down to the deepest fibers of your being. I relate to the idea of being so deep in depression that it becomes consuming and habitual and really needing someone to say ‘hey, you have a life to live, get to it while you can.'” Continue reading »

Oct 172018
 
ben patton

Singer-songwriter-composer Ben Patton crams a lot into the 32 minutes of new album Meaning What. After starting with the vocal doo-wop of “Maybe I Live to Make You Happy,” it quickly careens into garage-rock, Tin Pan Alley, jazz, showtunes, and beyond. Throughout the frequent genre swerves, though, one apparent inspiration kept jumping out at me: The Beatles.

It’s clichéd to note that the Beatles’ music influenced pretty much every popular music act of the past 60 years. That may well be true in a broad sense – what they did has seeped into every genre – but little current music actually sounds all that much like the Beatles. Meaning What does, though and from all the band’s phases too. On different songs, Patton channels the Broadway covers of their first albums (“New Love New Love”), the increased studio experimentations of Sgt. Pepper’s (“For All I Know”), the White Album’s crunchy drug puns (“Do the Math”), even the ambitious Abbey Road medley (“The Jebidiah Mustache Suite”). Continue reading »

Oct 012018
 

See previous monthly Best-Of lists here.

A Box of Stars – Cornfields


Never before have I Googled a mixing engineer’s name, but Josh Druckman’s work feels as vital to building such a pristine, delicate beauty of a record as the actual musicians (who, for the record, are Macaulay Lerman on guitar and vocals; Claire Londagin on vocals; Jens Hybertson on violin; Eben Schumacher on bass, piano, and guitar; and Tim Halteman on drums). Take “Cornfields.” Enigmatic lyrics swirl around minimalist instrumentation, subtle percussion delicately balancing with windy violin. It’s not flashy music, and folky slowcore of this sort often lands in the background-music category. But the band’s just-so playing, presented perfectly, demands attention. Continue reading »

Jul 202018
 

ballroom sofa

“Maybe I don’t want to be famous,” goes the opening line of Ballroom Sofa’s song “Famous.” That’s an understatement!

I first stumbled upon Ballroom Sofa’s Bandcamp page in March. The four songs posted there immediately hooked me. They blended Britpop and dream-pop, earworm hooks with clever lyrics. This didn’t sound like some DIY bedroom demo either; the production was immaculate. This band had it all – everything except an identity. Continue reading »

Jul 162018
 

Julia Caesar

For the past year, the most talked-about new band in Vermont has been Julia Caesar. They built their reputation solely on fiery local shows, without a single song out there for the wider world to hear. (When I finally dug up a live video to post in May, I couldn’t even uncover the song titles.) In January, the music editor of alt-weekly Seven Days named his top hope for 2018 as getting any proper recording from the band.

Well, would that all of our new-year’s goals were wrapped up by mid-July! Julia Caesar drops their long-awaited debut EP today. Hopefully it will begin transmitting the deafening noise surrounding them in Vermont to a national audience. Continue reading »

Jul 022018
 

See previous monthly Best-Of lists here.

best songs june

The Big Sip – Two Hips / One Night


When an album features the credit “Tenor Sax (Track 5),” you know I’m starting with Track 5. And the sax doesn’t disappoint when it finally arrives on this arty-jam-funk journey, but there is so much going on beforehand you forget it’s coming. Crazy keyboard sound effects, off-kilter Phish rhythms, and some insistent melodies that push through the chaos. It’s off the band’s debut EP Sip Responsibly. Continue reading »

May 312018
 

See previous monthly Best-Of lists here.

best new songs may

Addy Sechler – Make Home to Me


One of the best albums of 2017 was Mount Eerie’s A Crow Looked at Me. It was also one of the toughest to actually listen to, being a songwriter frankly grappling with his wife’s sudden death. When you want that same quiet, hushed vibe, but don’t have the emotional bandwidth to sink into that weighty subject matter, Addy Sechler’s new album will suit just fine. Continue reading »

Apr 092018
 

kelly ravin pretend

“Keep calm,” read the letters tattooed on Vermont singer-songwriter Kelly Ravin’s knuckles. In a sense, that’s the advice delivered on his new song “Pretend.” It’s advice aimed at a specific audience: soldiers overseas. And it’s not always easy to follow. Continue reading »

Mar 302018
 

best songs march

See previous monthly Best-Of lists here.

Aviation – Invisible Boy


In 1980, Queen delivered one of the great superhero themes of all time with “Flash.” If the Invisible Boy were a real superhero, Aviation gave him an equally bombastic theme song, a six-minute epic complete with piano crescendoes, scorching guitar solos, and canned applause. He’s not real, though. In fact, as you discover over the course of the song, he’s not exactly a superhero after all, just a lonely kid who sits by himself at lunch. Well, now he’s a lonely kid with an epic piano-prog theme song. Continue reading »