Oct 172018
 
ben patton

Singer-songwriter-composer Ben Patton crams a lot into the 32 minutes of new album Meaning What. After starting with the vocal doo-wop of “Maybe I Live to Make You Happy,” it quickly careens into garage-rock, Tin Pan Alley, jazz, showtunes, and beyond. Throughout the frequent genre swerves, though, one apparent inspiration kept jumping out at me: The Beatles.

It’s clichéd to note that the Beatles’ music influenced pretty much every popular music act of the past 60 years. That may well be true in a broad sense – what they did has seeped into every genre – but little current music actually sounds all that much like the Beatles. Meaning What does, though and from all the band’s phases too. On different songs, Patton channels the Broadway covers of their first albums (“New Love New Love”), the increased studio experimentations of Sgt. Pepper’s (“For All I Know”), the White Album’s crunchy drug puns (“Do the Math”), even the ambitious Abbey Road medley (“The Jebidiah Mustache Suite”). Continue reading »

Oct 012018
 

See previous monthly Best-Of lists here.

A Box of Stars – Cornfields


Never before have I Googled a mixing engineer’s name, but Josh Druckman’s work feels as vital to building such a pristine, delicate beauty of a record as the actual musicians (who, for the record, are Macaulay Lerman on guitar and vocals; Claire Londagin on vocals; Jens Hybertson on violin; Eben Schumacher on bass, piano, and guitar; and Tim Halteman on drums). Take “Cornfields.” Enigmatic lyrics swirl around minimalist instrumentation, subtle percussion delicately balancing with windy violin. It’s not flashy music, and folky slowcore of this sort often lands in the background-music category. But the band’s just-so playing, presented perfectly, demands attention. Continue reading »

Jul 202018
 

ballroom sofa

“Maybe I don’t want to be famous,” goes the opening line of Ballroom Sofa’s song “Famous.” That’s an understatement!

I first stumbled upon Ballroom Sofa’s Bandcamp page in March. The four songs posted there immediately hooked me. They blended Britpop and dream-pop, earworm hooks with clever lyrics. This didn’t sound like some DIY bedroom demo either; the production was immaculate. This band had it all – everything except an identity. Continue reading »

Jul 162018
 

Julia Caesar

For the past year, the most talked-about new band in Vermont has been Julia Caesar. They built their reputation solely on fiery local shows, without a single song out there for the wider world to hear. (When I finally dug up a live video to post in May, I couldn’t even uncover the song titles.) In January, the music editor of alt-weekly Seven Days named his top hope for 2018 as getting any proper recording from the band.

Well, would that all of our new-year’s goals were wrapped up by mid-July! Julia Caesar drops their long-awaited debut EP today. Hopefully it will begin transmitting the deafening noise surrounding them in Vermont to a national audience. Continue reading »

Jul 022018
 

See previous monthly Best-Of lists here.

best songs june

The Big Sip – Two Hips / One Night


When an album features the credit “Tenor Sax (Track 5),” you know I’m starting with Track 5. And the sax doesn’t disappoint when it finally arrives on this arty-jam-funk journey, but there is so much going on beforehand you forget it’s coming. Crazy keyboard sound effects, off-kilter Phish rhythms, and some insistent melodies that push through the chaos. It’s off the band’s debut EP Sip Responsibly. Continue reading »

May 312018
 

See previous monthly Best-Of lists here.

best new songs may

Addy Sechler – Make Home to Me


One of the best albums of 2017 was Mount Eerie’s A Crow Looked at Me. It was also one of the toughest to actually listen to, being a songwriter frankly grappling with his wife’s sudden death. When you want that same quiet, hushed vibe, but don’t have the emotional bandwidth to sink into that weighty subject matter, Addy Sechler’s new album will suit just fine. Continue reading »

Apr 092018
 

kelly ravin pretend

“Keep calm,” read the letters tattooed on Vermont singer-songwriter Kelly Ravin’s knuckles. In a sense, that’s the advice delivered on his new song “Pretend.” It’s advice aimed at a specific audience: soldiers overseas. And it’s not always easy to follow. Continue reading »

Mar 302018
 

best songs march

See previous monthly Best-Of lists here.

Aviation – Invisible Boy


In 1980, Queen delivered one of the great superhero themes of all time with “Flash.” If the Invisible Boy were a real superhero, Aviation gave him an equally bombastic theme song, a six-minute epic complete with piano crescendoes, scorching guitar solos, and canned applause. He’s not real, though. In fact, as you discover over the course of the song, he’s not exactly a superhero after all, just a lonely kid who sits by himself at lunch. Well, now he’s a lonely kid with an epic piano-prog theme song. Continue reading »

Mar 292018
 

a2vt

It has been a decade now since Said Bulle and George Mnyonge moved to Vermont as refugees from Somalia and Tanzania, respectively, but they are working to keep their traditions – and language – alive. Under the names Jilib and MG Man, the pair perform in the Burlington-based group A2VT. And on their new single “Faas Waa,” they blend English lyrics with verses both Swahili and in Jilib’s native Maay Maay, a variation on Somali.

“We Bantus are trying to keep our language alive, since it has only been a spoken language up until recently,” Jilib says in a press release. The language has only 1.75 million native speakers as of 2015 according to Ethnologue, a fraction even of Somalia’s 14 million people. Continue reading »

Mar 142018
 

paper castles

Many of Paddy Reagan’s musical influences are about what you’d expect for a thirty-something indie-rock songwriter: Pavement, Smog, Sharon Van Etten, and, most recently, Deerhunter. One that’s less obvious? The Grateful Dead.

On “First Blush,” Reagan’s new single with band Paper Castles, one line in particular channels his Deadhead past: “Is this just a dream you had to dream / To understand” (it echoes the “Box of Rain” lyric “This is all a dream we dreamed / one afternoon long ago”). And maybe we shouldn’t be surprised at that connection. After all, the Grateful Dead are finally cool, subject to the likes of Pitchfork appreciations and National-curated tribute albums featuring dozens of today’s coolest indie bands (including, incidentally, three of the four artists Reagan cited up top). Continue reading »