Kyle Woolard does not live in Iceland. He is not from Iceland. But I’m a huge fan of Icelandic music and everything about Woolard’s sound (intricate, angelic, slightly off-kilter folk-pop) and presentation (everything about that press photo) to me screams “Iceland.”
Adam Rabin – Winter Song
Prog-rock veteran Adam Rabin’s “Winter Song” sounds pure Jethro Tull. All that’s missing is a flute solo. Oh, wait – there it is.
Vermont is a state that *double checks map* is not on any ocean. Yet the state has an inexplicably thriving surf-rock scene despite the total lack of any waves to catch. And why not? I mean, John Fogerty wasn’t born anywhere near the bayou either.
It’s hard to write a pop chorus with the word “emigrate,” but Jesse Taylor has managed just that on her song “Blue,” one of the highlights of her new ’90s-rock-indebted EP Ever-changing. It’s the best five-dollar word in an alt-rock song since “copacetic.”
The song “Blue” details a ocean-spanning romance headed for the rocks, and with specific details like thinking through emigration options and fretting over five-hour time differences, no surprise it comes from personal experience.
Vermont singer-songwriter Marcie Hernandez is sick of answering questions about what winters are like where she lives, and she vents about it on her new song titled, appropriately enough, “Winter.” The chorus goes, “Glassy smiles crack under pressure / Someone shoot me if they ask me / ‘Bout the fucking weather one more time.”
In the endless year-end debate about to rank or not-to-rank, I generally fall on the to-rank side. Putting some albums on and not others is already subjective, so why not go full bore? But I do find that things get increasingly arbitrary the further down the list you go. There is a difference in my mind between #2 and #3. But between #22 and #23? No, not really.
So this year I’m wimping out and doing a compromise: 30 albums, #11-30 unranked, and then the ranked Top Ten at the bottom. A method sure to satisfy no one! Seems appropriate for 2020.
Babehoven – Demonstrating Visible Difference of Height
Babehoven weren’t a Vermont band for very long. Singer Maya Bon and partner/bandmate Ryan Albert moved to the tiny town of Arlington, where he’s from, to record this EP, then promptly decamped for Philadelphia. They’ve also logged time in Los Angeles and Portland. But, even if they weren’t in the state for very long, Vermont would do well to embrace the wonderful dream-pop EP they recorded while here.
You don’t need me to tell you that 2020 was a crummy year, for musicians especially. That certainly didn’t stop the flow of great songs though. Artists channelled collective fear and frustrations in a variety of ways. One song on this list is literally titled “2020.” Another complains about masks fogging up your glasses. Most, though, are not that literal. Some offer upbeat escapism; others complain about more personal problems than those in the news. They really only have one thing in common: I can’t wait until I can see them performed live.
Vermont trio The Leatherbound Books describe their sound as “pop-tinged indie rock with crushing low self-esteem,” but in their new music video, they aim for something more empowering. The clip for “I Doubt It,” off their recently-released debut album These Were the Days, shows women getting dolled up to stay in (while frontwoman Jackie Buttolph plays bass in her bathtub).
Ben Patton – Just Gotta Be Mine
Anyone who played computer games in the ’80s will recognize the look of Ben Patton’s new music video. For accuracy, he even used the precise (and extremely limited) color palette of the old EGA graphics card. It seems retro, but Ben’s been spending much of quarantine covering old Cole Porter songs, so for him the ’80s is relatively modern!