Oct 172018
 
ben patton

Singer-songwriter-composer Ben Patton crams a lot into the 32 minutes of new album Meaning What. After starting with the vocal doo-wop of “Maybe I Live to Make You Happy,” it quickly careens into garage-rock, Tin Pan Alley, jazz, showtunes, and beyond. Throughout the frequent genre swerves, though, one apparent inspiration kept jumping out at me: The Beatles.

It’s clichéd to note that the Beatles’ music influenced pretty much every popular music act of the past 60 years. That may well be true in a broad sense – what they did has seeped into every genre – but little current music actually sounds all that much like the Beatles. Meaning What does, though and from all the band’s phases too. On different songs, Patton channels the Broadway covers of their first albums (“New Love New Love”), the increased studio experimentations of Sgt. Pepper’s (“For All I Know”), the White Album’s crunchy drug puns (“Do the Math”), even the ambitious Abbey Road medley (“The Jebidiah Mustache Suite”). Continue reading »

Oct 012018
 

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A Box of Stars – Cornfields


Never before have I Googled a mixing engineer’s name, but Josh Druckman’s work feels as vital to building such a pristine, delicate beauty of a record as the actual musicians (who, for the record, are Macaulay Lerman on guitar and vocals; Claire Londagin on vocals; Jens Hybertson on violin; Eben Schumacher on bass, piano, and guitar; and Tim Halteman on drums). Take “Cornfields.” Enigmatic lyrics swirl around minimalist instrumentation, subtle percussion delicately balancing with windy violin. It’s not flashy music, and folky slowcore of this sort often lands in the background-music category. But the band’s just-so playing, presented perfectly, demands attention. Continue reading »