Jul 312018
 

See previous monthly Best-Of lists here.

best songs july 2018

The Aztext ft. Xenia Dunford – Everyday Sun


Last month I wrote about Xenia Dunford’s dual comeback EPs. They split along genre lines: the first singer-songwriter Americana, the second a little jazzier. Now she’s dabbling in a third genre: hip-hop. On rap duo The Aztext’s new single “Everyday Sun,” Dunford proves herself a perfect hook singer. The blend producer Rico James creates with her voice and an infectious horn line sounds like a ’70s Stevie Wonder jam. Continue reading »

Jul 202018
 

ballroom sofa

“Maybe I don’t want to be famous,” goes the opening line of Ballroom Sofa’s song “Famous.” That’s an understatement!

I first stumbled upon Ballroom Sofa’s Bandcamp page in March. The four songs posted there immediately hooked me. They blended Britpop and dream-pop, earworm hooks with clever lyrics. This didn’t sound like some DIY bedroom demo either; the production was immaculate. This band had it all – everything except an identity. Continue reading »

Jul 162018
 

Julia Caesar

For the past year, the most talked-about new band in Vermont has been Julia Caesar. They built their reputation solely on fiery local shows, without a single song out there for the wider world to hear. (When I finally dug up a live video to post in May, I couldn’t even uncover the song titles.) In January, the music editor of alt-weekly Seven Days named his top hope for 2018 as getting any proper recording from the band.

Well, would that all of our new-year’s goals were wrapped up by mid-July! Julia Caesar drops their long-awaited debut EP today. Hopefully it will begin transmitting the deafening noise surrounding them in Vermont to a national audience. Continue reading »

Jul 022018
 

See previous monthly Best-Of lists here.

best songs june

The Big Sip – Two Hips / One Night


When an album features the credit “Tenor Sax (Track 5),” you know I’m starting with Track 5. And the sax doesn’t disappoint when it finally arrives on this arty-jam-funk journey, but there is so much going on beforehand you forget it’s coming. Crazy keyboard sound effects, off-kilter Phish rhythms, and some insistent melodies that push through the chaos. It’s off the band’s debut EP Sip Responsibly. Continue reading »

Jun 182018
 

the smittens cats for cats

“You can’t write a good song about cats,” Max Andrucki says. “It’s not possible.”

This might be a surprise to hear after you first listen to his indiepop band the Smittens’ new single “Cats for Cats.” Because it is a good song. But it’s not really about cats.

Andrucki actually built the song around a similar-sounding phrase: “Masc for Masc,” a controversial dating term in the gay/queer community (Medium has an explainer). “That phrase is everywhere in the gay dating app world and in fact it’s almost cliche to talk about it critically,” Andrucki says. “I agonized over the lyrics in a way I rarely do, because I didn’t want to make it seem as if the song was about critiquing gay body image or gender presentation culture or anything like that. It’s not anything with a ‘social message’ as explicit as that. But the phrase stuck, so I felt like I had to rhyme it with other silly things to make it clear that I wasn’t really serious about it as a social critique.” Continue reading »

May 312018
 

See previous monthly Best-Of lists here.

best new songs may

Addy Sechler – Make Home to Me


One of the best albums of 2017 was Mount Eerie’s A Crow Looked at Me. It was also one of the toughest to actually listen to, being a songwriter frankly grappling with his wife’s sudden death. When you want that same quiet, hushed vibe, but don’t have the emotional bandwidth to sink into that weighty subject matter, Addy Sechler’s new album will suit just fine. Continue reading »

May 142018
 

bison arkansas

The Vermont trio Bison’s first release Get Out was my favorite EP of last year. Now they’re back with their second. That’s the good news. The bad: It’s also their last. Two of the three band members are moving away, and Bison will soon be no more. Judging from the first single “Arkansas,” at least they’re going out on top. Continue reading »

Apr 232018
 

Certain connotations arrive with the phrase “bedroom recording.” Such albums are typical lo-fi affairs, sparse and simple and stripped-down, a voice and a laptop plus one instrument (if that) and maybe some reverb.

The Giant Peach’s debut album Pulling Teeth is technically a bedroom recording – frontman Harrison Wood Hsiang recorded every song but one in his college dorm room. But it is anything but stripped-down. What other bedroom recording features trumpet, sax, violin, and slide guitar? There are three credited drummers here, and eight vocalists. It’s a long way from Bruce Springsteen hollering Nebraska into a four-track or Justin Vernon holed up alone in a remote cabin crooning “Skinny Love.” Continue reading »

Mar 302018
 

best songs march

See previous monthly Best-Of lists here.

Aviation – Invisible Boy


In 1980, Queen delivered one of the great superhero themes of all time with “Flash.” If the Invisible Boy were a real superhero, Aviation gave him an equally bombastic theme song, a six-minute epic complete with piano crescendoes, scorching guitar solos, and canned applause. He’s not real, though. In fact, as you discover over the course of the song, he’s not exactly a superhero after all, just a lonely kid who sits by himself at lunch. Well, now he’s a lonely kid with an epic piano-prog theme song. Continue reading »

Mar 142018
 

paper castles

Many of Paddy Reagan’s musical influences are about what you’d expect for a thirty-something indie-rock songwriter: Pavement, Smog, Sharon Van Etten, and, most recently, Deerhunter. One that’s less obvious? The Grateful Dead.

On “First Blush,” Reagan’s new single with band Paper Castles, one line in particular channels his Deadhead past: “Is this just a dream you had to dream / To understand” (it echoes the “Box of Rain” lyric “This is all a dream we dreamed / one afternoon long ago”). And maybe we shouldn’t be surprised at that connection. After all, the Grateful Dead are finally cool, subject to the likes of Pitchfork appreciations and National-curated tribute albums featuring dozens of today’s coolest indie bands (including, incidentally, three of the four artists Reagan cited up top). Continue reading »