Dec 142018
 
the giant peach i-89

Rock has a storied history of songs about life on the road, from “Turn the Page” to “We’re an American Band” to half the Creedence Clearwater Revival catalog. But these chronicle the journeys of successful touring artists. You won’t find as many road songs by baby bands nowhere near their first Odyssean mega-tour.

The Giant Peach has stepped in to fill that void. Their new song “I-89” is less life on the road than life on road: Interstate 89, which runs through band leader Harrison Hsiang’s Burlington, Vermont home base. “I-89” chronicles a less-celebrated – but more common – side of live performance: the hustling young musician’s lone drive home late at night after a one-off gig in some remote outpost.

Continue reading »

Nov 162018
 

the onlys

In year where Beach House returned, Low garnered some of the best album reviews of their career, and Slowdive continued their surprising second life, The Onlys picked the perfect time to join the dream-pop renaissance. The Vermont quartet have their second EP, Decay, coming out November 29, and just released the first single “Tell Me.”

“Tell Me” channels Galaxie 500 or the mellower sides of Yo La Tengo with a lot of reverb and light touch of pscyhedelia. As which much of the genre’s best music, the echo-y haze does nothing to obscure the supercatchy pop song within. “The song is based around a feeling of indecision and uncertainty,” the band writes. “It’s about helplessly looking for direction and knowing (but really just thinking) that it could never be found internally.” Continue reading »

Nov 132018
 

the jobz die

In my short time running this blog and my 11 years running Cover Me, I’ve read a lot of promo blurbs from bands, publicists, and record labels. But in all that time, I’ve never read an album description quite like this:

“Part Greek play, part book of Job, the high concept story should also appeal to casual listeners of punk, indie alternative, cabaret, and hardcore.”

And here’s the really crazy part: That’s actually a pretty succinct description of The Jobz’ wild new album Die. Continue reading »

Oct 312018
 

See previous monthly Best-Of lists here.

best new songs october

Adam Rabin – Trains That Never Come


Is progressive rock due for a comeback? The Washington Post‘s David Weigel released a well-reviewed book on the subject last year (I still gotta read that thing), which seems like it might auger a renaissance. But other than that… let’s just say Pitchfork hasn’t started reviewing Rush reissues. Adam Rabin, of proggers Elephants of Scotland, makes his own argument for the genre on new album The Badger Flies at Dawn. He brings in pop and orchestral melodies in sweeping arrangements that nod toward Genesis and… I suppose I’m part of the problem, as I have few other points of reference. If, like me, you need a genre introduction, “Trains That Never Come” offers an easily accessible place to start. No 7/5 time signatures required. Continue reading »

Oct 172018
 

ben patton

Singer-songwriter-composer Ben Patton crams a lot into the 32 minutes of new album Meaning What. After starting with the vocal doo-wop of “Maybe I Live to Make You Happy,” it quickly careens into garage-rock, Tin Pan Alley, jazz, showtunes, and beyond. Throughout the frequent genre swerves, though, one apparent inspiration kept jumping out at me: The Beatles.

It’s clichéd to note that the Beatles’ music influenced pretty much every popular music act of the past 60 years. That may well be true in a broad sense – what they did has seeped into every genre – but little current music actually sounds all that much like the Beatles. Meaning What does, though and from all the band’s phases too. On different songs, Patton channels the Broadway covers of their first albums (“New Love New Love”), the increased studio experimentations of Sgt. Pepper’s (“For All I Know”), the White Album’s crunchy drug puns (“Do the Math”), even the ambitious Abbey Road medley (“The Jebidiah Mustache Suite”). Continue reading »

Oct 012018
 

See previous monthly Best-Of lists here.

A Box of Stars – Cornfields


Never before have I Googled a mixing engineer’s name, but Josh Druckman’s work feels as vital to building such a pristine, delicate beauty of a record as the actual musicians (who, for the record, are Macaulay Lerman on guitar and vocals; Claire Londagin on vocals; Jens Hybertson on violin; Eben Schumacher on bass, piano, and guitar; and Tim Halteman on drums). Take “Cornfields.” Enigmatic lyrics swirl around minimalist instrumentation, subtle percussion delicately balancing with windy violin. It’s not flashy music, and folky slowcore of this sort often lands in the background-music category. But the band’s just-so playing, presented perfectly, demands attention. Continue reading »

Sep 012018
 

See previous monthly Best-Of lists here.

best new songs august

Abby Sherman – Wanting to Run


Great little details abound in the final song off Abby Sherman’s debut album: “The callused fingers fumble over the strings. / Do you only find me beautiful when I sing? / In a dark bar where the lights are kept low. / Nothing better to do and no where better to go.”

Baby Brush – Dinos


I feel I wasted a good Frank Zappa comparison in last month’s list. Vermont expats Baby Brush – Christopher Davis, Peter Housekeeper, Theodore Housekeeper, and Ryan Kochalka (James‘ nephew) – sounds far closer to Zappa than anything I’ve encountered so far, twisting and warping just about every genre in popular music on their debut album. Opening track “A Tribute to Foot” turns doo-wop on its head, with the only lyrics being “foot foot.” Then “Dinos” alternates wild guitar with wonked-out synthesizers over lyrics about nipple tassels, sounding like five song ideas crammed into one. Like Zappa himself, it’s a delicate balance that occasionally falls off the edge of insanity – but succeeds far more often than it should. Continue reading »

Jul 312018
 

See previous monthly Best-Of lists here.

best songs july 2018

The Aztext ft. Xenia Dunford – Everyday Sun


Last month I wrote about Xenia Dunford’s dual comeback EPs. They split along genre lines: the first singer-songwriter Americana, the second a little jazzier. Now she’s dabbling in a third genre: hip-hop. On rap duo The Aztext’s new single “Everyday Sun,” Dunford proves herself a perfect hook singer. The blend producer Rico James creates with her voice and an infectious horn line sounds like a ’70s Stevie Wonder jam. Continue reading »

Jul 202018
 

ballroom sofa

“Maybe I don’t want to be famous,” goes the opening line of Ballroom Sofa’s song “Famous.” That’s an understatement!

I first stumbled upon Ballroom Sofa’s Bandcamp page in March. The four songs posted there immediately hooked me. They blended Britpop and dream-pop, earworm hooks with clever lyrics. This didn’t sound like some DIY bedroom demo either; the production was immaculate. This band had it all – everything except an identity. Continue reading »

Jul 162018
 

Julia Caesar

For the past year, the most talked-about new band in Vermont has been Julia Caesar. They built their reputation solely on fiery local shows, without a single song out there for the wider world to hear. (When I finally dug up a live video to post in May, I couldn’t even uncover the song titles.) In January, the music editor of alt-weekly Seven Days named his top hope for 2018 as getting any proper recording from the band.

Well, would that all of our new-year’s goals were wrapped up by mid-July! Julia Caesar drops their long-awaited debut EP today. Hopefully it will begin transmitting the deafening noise surrounding them in Vermont to a national audience. Continue reading »