Dec 172019
 
best songs 2019

This Top 40 looks nothing like the actual Top 40. None of these songs charted, and I don’t think any of them aspired to. That is no knock against them, which probably goes without saying here – anyone reading music blogs knows that much. The adjectives “great” and “popular” occasionally attach themselves to the same track, but not often enough.

So just think of this as an alternate history of 2019 singles. It has no horses, and no town roads. It doesn’t teach love, patience, or pain, and isn’t 100% that anything. It also, as the headline says, only includes artists from one rather small state. But this wildly subjective, somewhat arbitrary survey of the past 12 months should serve as a small introduction to the wealth of talent in one community on the geographic fringe. There was a lot of wonderful music being made this year, much of it far from the big cities, or the Billboard charts. Duh. Continue reading »

Dec 162019
 
best eps 2019

Fifteen is a pretty stupid number for a list like this. I tried to get it down to a nice round ten, but some of the cuts to get to fifteen had been so painful that the idea of losing five more almost physically hurt (I realize I may take these lists too seriously). So fifteen it is. “A baker’s dozen,” as people who don’t know what a baker’s dozen is might say. Continue reading »

Dec 022019
 
abbie morin

“Foxy folk” was the genre tag Abbie Morin adopted on 2015 solo album Shadowproof. The catchy branding isn’t accurate anymore. Like bandmate Caroline Rose, Morin has recently changed sounds (band names too in this case; Morin now performs as Hammydown). But it wasn’t entirely accurate then either. “Foxy folk” doesn’t really capture a song like “Better Half.” Continue reading »

Nov 272019
 
ava marie

Ava Marie bills themselves as folk music – their Bandcamp handle is literally “avamariefolk” – but don’t expect any acoustic guitars on “White Hides.” This is folk music as channeled through mewithoutYou, weird and knotty and hyperliterate. Or, if a mewithoutYou comparison means nothing, try The Decemberists – this song does toss in words like “loam” and “brackish” – if someone turned the dials up on all their distortion pedals. Continue reading »

Nov 082019
 
clever girls remember pluto

The genre tag “quiet storm” refers to emotive R&B ballads across eras. Named after a Smokey Robinson song, quiet storm emerged as a popular radio format in the ’70s and later grew to encapsulate the neo-soul boom of the ’90s. A playlist that segued from Luther Vandross into Sade would be peak quiet storm.

Clever Girls’ music sounds nothing like quiet storm. Continue reading »

Nov 062019
 
vedora

Greil Marcus first coined the term “the old weird America” to describe the strange sounds on Harry Smith’s Anthology of American Folk Music collection. He connected those ’20s and ’30s folk and blues recordings to Bob Dylan and The Band’s “basement tapes,” which drew these dawn-of-recording-technology sounds and songs into the pastoral country-rock 1960s. Continue reading »

Oct 312019
 
Ali T – Electric Haze


Alison Turner is an artist out of time. She’s a singer-songwriter, but not with the folky connotations the phrase often takes on. Rather, something like “Electric Haze” sounds made for radio. Late-’90s radio, that is, when artist like Jewel and Meredith Brooks were racking up top-ten hits. It wouldn’t have a chance today, but “Electric Haze” ably walks to tricky line of engaging with nostalgia while creating something new. Continue reading »

Oct 242019
 

When I saw boys cruise live, the four band members switched pants with each other mid-set. They exchanged instruments too, but pants-swapping tends to steal the spotlight from musical versatility. Like a rock-show Alice in Wonderland, the quartet rotated around the stage after every song, leveling up the antics each time. At one point, they cut off a band member’s hair onstage and threw huge hunks into the crowd. Then they smashed the chair he was sitting on. That went into the crowd too. Continue reading »

Oct 212019
 
tom pearo

When I saw Vermont-based guitar wizard Tom Pearo deliver a masterful album-release show recently, he made a comment about how I Am A Mountain soundtracked a movie playing in his head. Something in the way he said it made me think he had more in mind than a band’s standard promo line about how cinematic their new album is. Sure enough, Pearo has a very specific story in mind. Think a coming-of-age road journey as told by J.R.R. Tolkien (which I realize basically describes Lord of the Rings, but most of the battles in Pearo’s movie are internal). Continue reading »