I was just listening to a podcast where the hosts were debating what type of music they needed during this crisis. One wanted peppy, upbeat songs to lift them from their funk. The other wanted downcast, inward-looking songs to match their current mood. No wrong answers. If you want something blissful and ambient to relax to, Amelia Devoid’s got you covered. Continue reading »
I only stepped foot in Vermont once this year.
That’s the dirty little secret of this blog (well, not that secret; it says it right on the About page): I don’t live there. Haven’t since I started doing this last year.
That’s going to change when I move back in the spring, but the aim of the site won’t. I conceived of County Tracks as helping to expose the best music created in Vermont to non-Vermonters. In the digital era, it’s easy for an expat dedicated enough to follow any local scene from afar. What’s trickier is getting great local music heard by people who have no reason to care about the category of “Vermont music.”
This ties into a broader problem. The glut of choice of streaming, rather than leveling the playing field, has mostly helped the famous get more famous. Yesterday’s Wall Street Journal had a Billboard staffer claiming Drake was “bigger than the Beatles” because all 25 tracks on Drake’s new album appeared on the Hot 100 simultaneously. I won’t even get into the “bigger than the Beatles” nonsense (come on). The more important point is that, overwhelmed by choice, listeners are gravitating towards what they know. No matter how many times a digital music CEO says the word “discovery,” actual music discovery seems harder than ever.
I don’t know if any of the artists below are blowing up Spotify playlists, or whether any computer algorithm is pushing them on users. But they deserve attention. Great music happens beyond the big cities and big labels; it just needs exposure. In my small way, I hope these lists help a little. There’a lot of great music being made in Vermont. More people outside Vermont – people like me – need to hear it.
I tried to discern some overarching theme with this year’s Best Songs list. One has to write something in these intros, after all. I never came up with one (other than that the songs are all, you know, good). But maybe that diversity itself offers a narrative thread.
The only thing many outsiders seem to associate with Vermont music is jam bands. Mostly one jam band, really. Now, I’m sure learning that Vermont has other genres wouldn’t surprise any outsider. But learning that the music being created in those genres is equally vibrant – and equally supported by the local music scene – might.
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I try to write about as much great music as I can here, but I inevitably fail to get to everything deserving. So I’m inaugurating a monthly-ish series rounding up Vermont’s best new songs. It’s not ranked and I’m not aiming for any firm number; it’s just some songs that were still rattling around my head as the month came to a close.
A few of these I wrote about already, but most I didn’t get to. Either way, whether you follow the site or just stumbled upon this, whether you’re a Vermonter yourself or have zero local connection, this collects some of the best music the state’s been producing recently.
Also, full disclosure: This series is starting with a lie. A few of these actually came out in December, after I’d finished my Best Songs of 2017 post. Close enough. Continue reading »
Zeus Springsteen doesn’t sound much like their namesake. A more apt mythological moniker might be Death Cab for Zeusy, or perhaps R.E.M.ortal (pronounce it like “immortal”). On their self-titled debut, the band piles hook upon hook, harkening back to the jangliest days of college rock. It’s full of funny lyrics like “I’m double-fisting antidotes for the common cold / and for growing old and bitter,” but the goofiest title of the bunch addresses a more serious topic – sort of. It’s a song about a robot avenging sexual assault. They christened him Joey, but I’ve taken to calling him R2MeToo. Continue reading »