gd-system-plugin domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/wp-includes/functions.php on line 6114wordpress-seo domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/wp-includes/functions.php on line 6114
Vermont is a state that *double checks map* is not on any ocean. Yet the state has an inexplicably thriving surf-rock scene despite the total lack of any waves to catch. And why not? I mean, John Fogerty wasn’t born anywhere near the bayou either. Continue reading »
It’s hard to write a pop chorus with the word “emigrate,” but Jesse Taylor has managed just that on her song “Blue,” one of the highlights of her new ’90s-rock-indebted EP Ever-changing. It’s the best five-dollar word in an alt-rock song since “copacetic.”
The song “Blue” details a ocean-spanning romance headed for the rocks, and with specific details like thinking through emigration options and fretting over five-hour time differences, no surprise it comes from personal experience. Continue reading »
Vermont singer-songwriter Marcie Hernandez is sick of answering questions about what winters are like where she lives, and she vents about it on her new song titled, appropriately enough, “Winter.” The chorus goes, “Glassy smiles crack under pressure / Someone shoot me if they ask me / ‘Bout the fucking weather one more time.” Continue reading »
In the endless year-end debate about to rank or not-to-rank, I generally fall on the to-rank side. Putting some albums on and not others is already subjective, so why not go full bore? But I do find that things get increasingly arbitrary the further down the list you go. There is a difference in my mind between #2 and #3. But between #22 and #23? No, not really.
So this year I’m wimping out and doing a compromise: 30 albums, #11-30 unranked, and then the ranked Top Ten at the bottom. A method sure to satisfy no one! Seems appropriate for 2020. Continue reading »
You don’t need me to tell you that 2020 was a crummy year, for musicians especially. That certainly didn’t stop the flow of great songs though. Artists channelled collective fear and frustrations in a variety of ways. One song on this list is literally titled “2020.” Another complains about masks fogging up your glasses. Most, though, are not that literal. Some offer upbeat escapism; others complain about more personal problems than those in the news. They really only have one thing in common: I can’t wait until I can see them performed live.
Vermont trio The Leatherbound Books describe their sound as “pop-tinged indie rock with crushing low self-esteem,” but in their new music video, they aim for something more empowering. The clip for “I Doubt It,” off their recently-released debut album These Were the Days, shows women getting dolled up to stay in (while frontwoman Jackie Buttolph plays bass in her bathtub). Continue reading »
Anyone who played computer games in the ’80s will recognize the look of Ben Patton’s new music video. For accuracy, he even used the precise (and extremely limited) color palette of the old EGA graphics card. It seems retro, but Ben’s been spending much of quarantine covering old Cole Porter songs, so for him the ’80s is relatively modern! Continue reading »
You can’t go far exploring the folk music tradition without stumbling upon your first murder ballad. The genre goes back hundreds of years and still plays a major role in blues, country, and Americana music today. Nirvana famously covered Leadbelly’s murder ballad “Where Did You Sleep Last Night?” for MTV Unplugged. Johnny Cash sang murder ballads his entire career. Nick Cave and the Bad Seeds recorded an album literally titled Murder Ballads, adding Cave’s own compositions to the canon. Continue reading »
Before YouTube will let you play “Witness,” it flashes an ominous black warning about how the video may be inappropriate for some users. Its a misleading label that makes it seem like it’s got nudity or something offensive. To be sure, the content in the video is offensive – in the sense of it should offend anyone to see police acting this way. But knowing it is happening is a civic duty. Zevon has accompanied the upsetting footage with a moving new protest song, doing her bit to fight the power. Continue reading »
Few genres get as ridiculed as rap-rock, and for good reason (two words: Limp. Bizkit.). But, in their new single “Sleeping On My Own,” three Vermont musicians recombine rock and rap in a much more palatable way. Continue reading »