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My main gig is covering cover songs, so I appreciate a song that shouts out “Nina Simone covering Bee Gees” (that’s the 11th Best Bee Gees Cover Ever, in case you were wondering). A new production trio from three veterans of Vermont’s hip-hop scene – Elder Orange, IAME, Rico James – “With You” brings some freak-funk vibes, like some old Stevie Wonder sample. Maybe someone will cover this soon. Continue reading »
Over a propulsive synth hook that recalls M83’s “Midnight City,” Black Fly’s Joseph Rittling delivers a catchy electro-post-punk song that grows and grows into something epic.
On “The Owls,” punk trio boys cruise deliver an homage to Twin Peaks twice as loud as anything David Lynch and Angelo Badalamenti put on the soundtrack. Read the lyrics at Bandcamp if you can’t make ’em out through the distortion to see how many Peaks references you can catch (with a side of Edgar Allen Poe thrown in for good measure). Continue reading »
Prog-rock veteran Adam Rabin’s “Winter Song” sounds pure Jethro Tull. All that’s missing is a flute solo. Oh, wait – there it is. Continue reading »
It’s hard to write a pop chorus with the word “emigrate,” but Jesse Taylor has managed just that on her song “Blue,” one of the highlights of her new ’90s-rock-indebted EP Ever-changing. It’s the best five-dollar word in an alt-rock song since “copacetic.”
The song “Blue” details a ocean-spanning romance headed for the rocks, and with specific details like thinking through emigration options and fretting over five-hour time differences, no surprise it comes from personal experience. Continue reading »
Music festivals have been cancelled this summer – barring, of course, your occasional Smash Mouth-headlined superspreader event. In lieu of putting on new shows, established festivals have tried a variety of “virtual” events. Some have gotten a series of artists to perform from their homes; some have been re-airing a bunch of old performances. All are trying to make it feel like an event, with varying degrees of success. Continue reading »