20. Narrow Shoulders – Now Be Here

Spare and haunting, the debut release from Narrow Shoulders’ Zach Pollakoff does a lot with a little. Ambient noise, synth tones, the occasional pluck of guitar string, or a simple drum beat get layered just so to create an immersive instrumental world. The fact that Pollakoff works for A-list pop producer Ariel Rechtshaid (Haim, Vampire Weekend, etc) in his day job is no surprise. Though the genres couldn’t be more different, Pollakoff clearly knows to to construct a soundscape.

19. Jack O’ the Clock – Leaving California

The only progressive rock I have much use for is Jethro Tull and Jack O’ the Clock’s new record scratches that folksy itch nicely (the band name even evokes a Tull song). No, there’s no flute solos, but a whole host of other instruments make appearances, from violin to harp to sudden bursts of choir – and that’s just in one track! Then the next song opens with a clarinet solo. It’s not a flute, but close enough. Continue reading »