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Aspetuck (aka. Griff Fulton)’s bio says his music was inspired by immersing himself in the nightlife of New York and Los Angeles. Yet now he lives near where he grew up in rural Vermont, an area not exactly known for its club scene. Somehow I feel like that dichotomy comes across in “Rescue Mission.” You can imagine it playing on a dance floor somewhere, but it works equally well just sitting at home and vibing out. Continue reading »
Fifteen is a pretty stupid number for a list like this. I tried to get it down to a nice round ten, but some of the cuts to get to fifteen had been so painful that the idea of losing five more almost physically hurt (I realize I may take these lists too seriously). So fifteen it is. “A baker’s dozen,” as people who don’t know what a baker’s dozen is might say. Continue reading »
Alison Turner is an artist out of time. She’s a singer-songwriter, but not with the folky connotations the phrase often takes on. Rather, something like “Electric Haze” sounds made for radio. Late-’90s radio, that is, when artist like Jewel and Meredith Brooks were racking up top-ten hits. It wouldn’t have a chance today, but “Electric Haze” ably walks to tricky line of engaging with nostalgia while creating something new. Continue reading »