Dec 172019
 
best songs 2019

This Top 40 looks nothing like the actual Top 40. None of these songs charted, and I don’t think any of them aspired to. That is no knock against them, which probably goes without saying here – anyone reading music blogs knows that much. The adjectives “great” and “popular” occasionally attach themselves to the same track, but not often enough.

So just think of this as an alternate history of 2019 singles. It has no horses, and no town roads. It doesn’t teach love, patience, or pain, and isn’t 100% that anything. It also, as the headline says, only includes artists from one rather small state. But this wildly subjective, somewhat arbitrary survey of the past 12 months should serve as a small introduction to the wealth of talent in one community on the geographic fringe. There was a lot of wonderful music being made this year, much of it far from the big cities, or the Billboard charts. Duh. Continue reading »

Dec 162019
 
best eps 2019

Fifteen is a pretty stupid number for a list like this. I tried to get it down to a nice round ten, but some of the cuts to get to fifteen had been so painful that the idea of losing five more almost physically hurt (I realize I may take these lists too seriously). So fifteen it is. “A baker’s dozen,” as people who don’t know what a baker’s dozen is might say. Continue reading »

“A Drunken Love Song to Rock and Roll”

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Dec 042019
 
dino bravo

Any band can cite their influences when talking about their music. Fewer cite those influences within that music itself – at least not as frequently as Dino Bravo does.

From the first verse of the first song on their first album, the just-released Blind By Midnight, the Vermont rock quartet wears their favorite bands on their sleeves. That opener, “The Aerialists,” shouts out a couple Wilco albums that were important to guitarist Chris Farnsworth. The next track, “Sugar Coated Candy Stix,” describes singer Matthew Stephen Perry taking his future wife to a My Morning Jacket show (part of the closing song, “Pass the Mark,” musically nods to the same band’s “One Big Holiday”). A few songs later, bassist Joshua Shedaker writes a love song to Thin Lizzy. Continue reading »