These days, composer and guitarist Michael Chorney is probably best known for his work with Anaïs Mitchell on her recent Broadway hit Hadestown, for which he won a Tony Award earlier this year (he plays in the band every night too). But a dive into his extensive discography wouldn’t uncover many other numbers meant for the stage. Half of his albums are ambient guitar instrumentals, and even the ones with “songs” tend toward the weird and woolly.
We normally don’t do concert previews here. My goal with this young blog is to spread the gospel of Vermont music to an audience beyond the state’s sometimes-confining borders. And writing about regionally-specific events generally goes against that mandate.
This weekend’s Waking Windows festival is an exception.
Waking Windows is the Vermont music scene in microcosm. In some respects the Burlington equivalent of SXSW, Waking Windows surrounds a few bigger names (Real Estate and Dan Deacon this year) with dozens of the state’s best local bands. Naming the best Vermont artists playing the festival almost doubles as naming the best Vermont artists period. And that is exactly our mandate.