Japanese Synth-Pop and The Little Mermaid Inspire Haunting Electronic Album

 Comments Off on Japanese Synth-Pop and The Little Mermaid Inspire Haunting Electronic Album
May 012017
 

Back in 2011, the soundtrack to the Ryan Gosling movie Drive updated 1980s synth-pop for the 21st century and became a big hit doing so. Songs like “Nightcall” and “A Real Hero” brought a film-noir darkness to the genre’s supremely catchy melodies and on his new album Pax Romana, Vermont-based producer Ebn Ezra aka Ethan Wells does the same.

Though Wells calls the Drive soundtrack “iconic,” he draws from further back in the history of synthesized music. He cites as his album’s biggest influence a Japanese artist named Chinatsu Kuzuu, who recorded medieval folk songs backed by MIDI compositions (similar in a way to a recent album of electronic Gregorian chants). But Kuzuu recorded back in the early 1990s, when MIDI – a primitive form of electronic music – was a new frontier. “It sounds like the most bizarre thing,” Wells says, “English folk by way of a Japanese woman in the ’90s using no more than a computer. So I thought, if she can do it, so can I.” Continue reading »

A Song Celebrating Vinyl That Marc Maron Would Appreciate

 Comments Off on A Song Celebrating Vinyl That Marc Maron Would Appreciate
Apr 172017
 

Anyone who listens to Marc Maron’s WTF podcast knows he is a vinyl obsessive. And anyone who follows him closely on Twitter will knew he is also a fan of Vermont quartet Swale (he’s shouted out both of their first two albums). So Swale’s newest track “Release Your Records” – sort of a theme song for the vinyl revival – will be right up his alley.

It will also be up the alley of any other vinyl aficionado, or really just anyone who cares passionately about music. However, Spotify users might not spot all the plays on words singer Eric Olsen packs into the lyrics. Here’s three puns in as many lines: “Spin the story of your life / Roll your sleeves and show your stripes / Deep cuts aren’t made with knives.” Continue reading »

Apr 112017
 

Madaila

We named Madaila’s “Secret” the Second Best Song of 2016. “Realization,” off the same album Traces, is almost as good. Though Traces can get spacey and psyched-out at times, both tracks showcase the new-wave pop songwriting chops of frontman Mark Daly, a man who knows his way around a catchy hook.

The band just released a new music video for the track, taking over Burlington, Vermont costume shop Old Gold for a fashion show. It’s the biggest thing that’s happened to musical thrift shops since Macklemore. And if the video’s intro music sounds appealing, it appears to be a MIDI version of one of Madaila’s other great songs, “Give Me All Your Love”. Continue reading »

Saints and Liars Play Bluegrass for Metalheads

 Comments Off on Saints and Liars Play Bluegrass for Metalheads
Apr 042017
 

When Vermont quartet Saints and Liars lists their influences, a lot of them are typical for an Americana group: The Band, Waylon Jennings, and “all 3 Hank Williams.” A few, though, come a little further from left field: Motörhead. Metallica.

Though the music they make is certainly not metal – they don’t even play many instruments made of metal – you can hear the genre’s influences: high-voltage speed, raw power, and gruff hollering. Singer Jed Hughes sounds like James Hetfield at a campfire and, on songs like “Oil Slick,” the band speeds along as fast as they can smack a washboard. Just as Rodrigo y Gabriela bring their metal fandom into flamenco music, Saints and Liars headbang through bluegrass-y Americana. Call it “thrash folk.”

Saints and Liars’ self-titled debut album came out last year, but the band has just updated it with an expanded edition featuring two new tracks: “Sit and Sing” and “Drunk and Alone.” The new songs fit in seamlessly with the rest, but recording them proved a little more challenging. Continue reading »

Soundcloud Breakout David Chief Makes Cassettes Cool Again on New Beat Tape

 Comments Off on Soundcloud Breakout David Chief Makes Cassettes Cool Again on New Beat Tape
Mar 312017
 

David Chief

In the so-called streaming wars between Spotify, Apple Music,and the rest, Soundcloud often gets forgotten. Perhaps part of the reason is that it traditionally has not offered ads or any real way for an artist to monetize their work (though that’s changing), so bigger stars avoided the platform. As a result, it’s developed an ecosystem filled with up-and-coming experimentalists, particularly in hip-hop and electronic music.

One of the more recent Soundcloud breakouts is David Chief. A 22-year old producer in Burlington, he’s only been recording music for a few years, but a recent track called “roots” has racked up almost 40,000 streams on Soundcloud, and others aren’t far behind.

“I’ve been teaching myself producing/beatmaking for 4 years now, ever since moving to Vermont in 2013 for college,” he says. “I started as just a fan who liked Soundcloud for the underground & independent artists, and eventually fell in love with the chill, boom-bap stuff and decided to try it myself. I really liked how the beatmaking scene was like a little community. When I first started out, nobody wanted to collaborate or drop a follow, but as a really active user of Soundcloud, people began to take notice of my page.” Continue reading »

Mar 282017
 

Though he’s only 22 years-old, Vermont songwriter Erin Cassels-Brown has packed in a lot of living since he nearly died.

When he was in college, a burst appendix sent his body into septic shock, landing him in the hospital for an extended stay – he says he left “12 pounds lighter and a million life thoughts heavier.” His brush with death made him reevaluate his purpose, dropping out of college and leaving work at his father’s solar company to pursue music full time.

“I decided to get on a bus and try to be a street performer for a while,” he says. “I went to Asheville, North Carolina and Charlottesville, Virginia. I didn’t make much money, but I made some amazing friends and it gave me a new lease on life, both physically and emotionally.”

Cassels-Brown traveling around busking on the street, trying to scrape together a life from tips tossed into his guitar case. On his debut EP Northern Lights, Vol. 1, the song “Virginia, Bring Me Light” traces his Kerouac-ian journey. “That might be the saddest song on the album,” he says. “It certainly doesn’t include the happy ending of the real life adventure, but I was trying to write from the place I was in right before I got on the southbound bus.” Continue reading »

Concrete Jumpers Doesn’t Mind If You Call Him Emo

 Comments Off on Concrete Jumpers Doesn’t Mind If You Call Him Emo
Mar 242017
 

concrete jumpers

In the early 2000s, “emo” was a label that few musicians wanted stuck to them. Even Dashboard Confessional’s Chris Carraba – as much the poster boy for the genre as anyone – disavowed it. “I didn’t think it was an appropriate name for grouping us together, but it stuck,” he said a few years back. “It’s like the term ‘hipster’ that was very cool but is now meant as an insult. That’s what happened with ’emo.'”

Carrabba prefers the less charged “singer-songwriter,” which would also apply to Vermont musician Sam Wiehe – but he doesn’t mind if you call him emo. “I know it has a certain stigma and can be attached to ‘sad boys’, but to me, emo music just means music that is emotional,” Wiehe says. “And that really is all I wanna make.”

The 20-year old Wiehe records as Concrete Jumpers – or, rather, recorded. His new album Dear Madison is his last under that name. It’s a breakup album filled with heart-on-sleeve emotion and sometimes devastatingly personal lyrics. So…emo. Continue reading »

Gillian Welch Meets Annie Wilkes in a Folk Song About a Milkman Obsession

 Comments Off on Gillian Welch Meets Annie Wilkes in a Folk Song About a Milkman Obsession
Mar 162017
 

Cricket Blue

Roots music fans know that when you’re listening to an album by “Gillian Welch,” you’re really listening to the musical partnership of Welch and her longtime collaborator David Rawlings. Ditto for an album released under the name “Dave Rawlings Machine.” Rawlings and Welch share one of the strongest and most enduring musical partnerships in Americana music. Their albums arrive infrequently though, so Welch and Rawlings fans impatient for more would do well to discover Vermont-based duo Cricket Blue.

Last year we named Cricket Blue’s “Angela Carter” one of the Best Vermont Songs of 2016 and they’re already back with a best-of-2017 contender. Though they haven’t released a studio version yet, “The Milkman” is available via a beautiful live video (below). Continue reading »

Mar 142017
 

clever girls

Clever Girls’ debut EP Loose Tooth is only 14 minutes long, but there’s a whole lot of living packed into those 14 minutes.

Frontwoman Diane Jean first met bassist Winfield Holt and drummer Rob Slater in 2015 via a Craigslist ad (she was conscripted to sing harmonies for Slater’s other band 1881, who we also love). Jean had just left Boston for the tiny town of Waitsfield, Vermont, wanting to get away from stressful city life. As she sings in “We Tried,” “I tried the city it swallowed me up / And my friends up and die when they take too much / I tried the city but I had enough.” Continue reading »

Mar 072017
 

The Mountain Says No

In the era of so-called “peak TV,” no show has been peek-ier than Game of Thrones. So it’s no surprise that the show has inspired its own musical tributes, from zany covers of the theme song to YouTube to artists like Sigur Rós and Mastodon cameoing in the show itself.

Now, a Vermont rock band called The Mountain Says No has recorded their own Game of Thrones song titled, appropriately enough, “Game of Thrones.” But to make it even more meta, it’s really a tribute to the fandom surrounding shows like Game of Thrones and how a share love of a show can bring people together in real life (Breaking Bad gets a shoutout too). Continue reading »