Dec 232021
 
best vermont albums of 2021
20. Narrow Shoulders – Now Be Here

Spare and haunting, the debut release from Narrow Shoulders’ Zach Pollakoff does a lot with a little. Ambient noise, synth tones, the occasional pluck of guitar string, or a simple drum beat get layered just so to create an immersive instrumental world. The fact that Pollakoff works for A-list pop producer Ariel Rechtshaid (Haim, Vampire Weekend, etc) in his day job is no surprise. Though the genres couldn’t be more different, Pollakoff clearly knows to to construct a soundscape.

19. Jack O’ the Clock – Leaving California


The only progressive rock I have much use for is Jethro Tull and Jack O’ the Clock’s new record scratches that folksy itch nicely (the band name even evokes a Tull song). No, there’s no flute solos, but a whole host of other instruments make appearances, from violin to harp to sudden bursts of choir – and that’s just in one track! Then the next song opens with a clarinet solo. It’s not a flute, but close enough. Continue reading »

New Wave-y Concept Album Brings ‘A Star Is Born’ to the Vegas Strip

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Mar 122021
 
madaila good lord nancy

I’m a sucker for a concept album. From Ziggy Stardust to Tommy, they began primarily the realm of classic rock (back before it was “classic”), but exist in pretty much every genre now, from electronic music to hip-hop. Hell, my favorite record of last year was a doom-metal concept album.

One genre that could use more concept albums, though, is new wave. Prolific Vermont-based artist Madaila obliges with the new Good Lord Nancy, which also dips into more traditionally concept album-friendly genres like rock and Americana. It’s only eight tracks – pretty short for a concept album – but it packs a lot into a quick runtime. Continue reading »

The Best Vermont Albums of 2020

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Dec 182020
 
best vermont albums

In the endless year-end debate about to rank or not-to-rank, I generally fall on the to-rank side. Putting some albums on and not others is already subjective, so why not go full bore? But I do find that things get increasingly arbitrary the further down the list you go. There is a difference in my mind between #2 and #3. But between #22 and #23? No, not really.

So this year I’m wimping out and doing a compromise: 30 albums, #11-30 unranked, and then the ranked Top Ten at the bottom. A method sure to satisfy no one! Seems appropriate for 2020. Continue reading »

The Best Vermont EPs of 2020

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Dec 162020
 
vermont eps
Babehoven – Demonstrating Visible Difference of Height

Babehoven weren’t a Vermont band for very long. Singer Maya Bon and partner/bandmate Ryan Albert moved to the tiny town of Arlington, where he’s from, to record this EP, then promptly decamped for Philadelphia. They’ve also logged time in Los Angeles and Portland. But, even if they weren’t in the state for very long, Vermont would do well to embrace the wonderful dream-pop EP they recorded while here. Continue reading »

Dec 142020
 
best vermont songs

You don’t need me to tell you that 2020 was a crummy year, for musicians especially. That certainly didn’t stop the flow of great songs though. Artists channelled collective fear and frustrations in a variety of ways. One song on this list is literally titled “2020.” Another complains about masks fogging up your glasses. Most, though, are not that literal. Some offer upbeat escapism; others complain about more personal problems than those in the news. They really only have one thing in common: I can’t wait until I can see them performed live.

Continue reading »

The Best New Songs of October

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Oct 302020
 
best new songs october
Ben Patton – Just Gotta Be Mine


Anyone who played computer games in the ’80s will recognize the look of Ben Patton’s new music video. For accuracy, he even used the precise (and extremely limited) color palette of the old EGA graphics card. It seems retro, but Ben’s been spending much of quarantine covering old Cole Porter songs, so for him the ’80s is relatively modern! Continue reading »

The Best New Songs of May 2020

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May 292020
 
best new songs may 2020
Elder Orange – Stella


Matt Scott, aka Elder Orange, wrote his new EP Stella inspired by his ’71 Stella parlor acoustic guitar. But despite the acoustic guitar-influence, singer-songwriter music this isn’t. Scott’s a producer and composer who builds immersive instrumental soundscapes incorporating that guitar here and there, but not beholden to it. In this case, he says, “Stella is a blend of a lot of my favorite sounds; dusty 60’s funk rock laced with boom-bap alt-latin vibes and gritty electro-fusion.” Continue reading »

Dec 172019
 
best songs 2019

This Top 40 looks nothing like the actual Top 40. None of these songs charted, and I don’t think any of them aspired to. That is no knock against them, which probably goes without saying here – anyone reading music blogs knows that much. The adjectives “great” and “popular” occasionally attach themselves to the same track, but not often enough.

So just think of this as an alternate history of 2019 singles. It has no horses, and no town roads. It doesn’t teach love, patience, or pain, and isn’t 100% that anything. It also, as the headline says, only includes artists from one rather small state. But this wildly subjective, somewhat arbitrary survey of the past 12 months should serve as a small introduction to the wealth of talent in one community on the geographic fringe. There was a lot of wonderful music being made this year, much of it far from the big cities, or the Billboard charts. Duh. Continue reading »

The Best Songs of the 2010s: Madaila, “Give Me All Your Love”

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Nov 262019
 
madaila mark daly

There’s a trick I love in a lot of pop songs. Somewhere in the back half of the song, most instruments drop out. The chorus repeats once, a cappella or close to it. An instrument or two return as the chorus repeats, then a few more more the next time around. Eventually they all joyously crash back in. It’s the pop version of a dubstep drop, and equally effective. Continue reading »

The Best New Songs of September/October 2019

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Oct 312019
 
Ali T – Electric Haze


Alison Turner is an artist out of time. She’s a singer-songwriter, but not with the folky connotations the phrase often takes on. Rather, something like “Electric Haze” sounds made for radio. Late-’90s radio, that is, when artist like Jewel and Meredith Brooks were racking up top-ten hits. It wouldn’t have a chance today, but “Electric Haze” ably walks to tricky line of engaging with nostalgia while creating something new. Continue reading »