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My main gig is covering cover songs, so I appreciate a song that shouts out “Nina Simone covering Bee Gees” (that’s the 11th Best Bee Gees Cover Ever, in case you were wondering). A new production trio from three veterans of Vermont’s hip-hop scene – Elder Orange, IAME, Rico James – “With You” brings some freak-funk vibes, like some old Stevie Wonder sample. Maybe someone will cover this soon. Continue reading »
In 2013, revered reissue label Light in the Attic dug up an obscure artist named Alice Damon for their compilation I Am The Center: Private Issue New Age In America 1950-1990. They drew the track “Waterfall Winds” from an album she’d recorded in the early ’80s in northern Vermont and, apparently, never released. She died several years ago, but her album, Windsong, is finally getting its four-decades-delayed release next month. The breathy, wordless vocals sound like Juliana Barwick long before her time. Continue reading »
Abby Sherman’s “I’ll Be There” is not a Jackson 5 cover, but the sentiment is much the same. It rocks a lot harder though, with some punchy swagger in the instrumentation and a killer guitar solo. The sound underpins Sherman’s bluesy belt in the Susan Tedeschi vein, which she really unleashes near the end. [Update: I must be prescient – a few days after I drafted this blurb, Susan actually sat in with Abby on this exact song!]
The slide guitar on “Maiden Voyage of the Acrolite” at first sounds like early Fleetwood Mac, but over the course of the two minutes the song morphs entirely, to a electro-prog-funk mash. It’s weird, but all those genres packed into such a small package works far better than you’d expect. Continue reading »
No idea what the opening verse means, but I dig this creepy David Lynch energy: “When he speaks it’s all poetry / And he claims that his words are free / But under the table he’s / Got a gut and it’s full of bees” Continue reading »
A2VT’s new single blends the group’s trademark sounds of Afropop, R&B, and hip-hop with a surprising twist: ’80s metal. After three extremely catchy minutes of singing and rapping, an epic guitar solo bursts forth by an actual ’80s-metal vet, Andre Maquera of 8084. It reminds of that time Kirk Hammett guested on a K’naan song, in the best way possible. Continue reading »
In the endless year-end debate about to rank or not-to-rank, I generally fall on the to-rank side. Putting some albums on and not others is already subjective, so why not go full bore? But I do find that things get increasingly arbitrary the further down the list you go. There is a difference in my mind between #2 and #3. But between #22 and #23? No, not really.
So this year I’m wimping out and doing a compromise: 30 albums, #11-30 unranked, and then the ranked Top Ten at the bottom. A method sure to satisfy no one! Seems appropriate for 2020. Continue reading »
You don’t need me to tell you that 2020 was a crummy year, for musicians especially. That certainly didn’t stop the flow of great songs though. Artists channelled collective fear and frustrations in a variety of ways. One song on this list is literally titled “2020.” Another complains about masks fogging up your glasses. Most, though, are not that literal. Some offer upbeat escapism; others complain about more personal problems than those in the news. They really only have one thing in common: I can’t wait until I can see them performed live.
Anyone who played computer games in the ’80s will recognize the look of Ben Patton’s new music video. For accuracy, he even used the precise (and extremely limited) color palette of the old EGA graphics card. It seems retro, but Ben’s been spending much of quarantine covering old Cole Porter songs, so for him the ’80s is relatively modern! Continue reading »
We’re back! After a summer away on paternity leave (can a blog take paternity leave? well, we did), County Tracks returns with a supersized roundup of everything that went on while we were away.
This is, as always, “we” in the proverbial sense. It’s really just me, Ray Padgett. And I have my second book out this week! It’s about music, of course. Specifically the history of tribute albums, as told through the fascinating story of one in particular (1991’s I’m Your Fan: The Songs of Leonard Cohen – which, even if you don’t realize it, is the reason you know the song “Hallelujah”). It’s in the great 33 1/3 series of small books on specific albums. Hope you’ll check it out! Preorder links and more info over here.
Now, onto the music…
“The Road” is the first song on Bandcamp that Vermont singer-songwriter Abby Sherman has billed as being by the “Abby Sherman Band.” A minuscule rebranding, but one that feels significant. Whereas her best song last year was a stripped-down dirge, “The Road” features a muscular alt-country backing group giving her melody some heft. Special props to whoever played the country-Mark-Knopfler guitar solo. Continue reading »
It’s not clear if this song was written in our current self-isolation, but even if it wasn’t, lines like this have a new resonance: “I’ve been wiping down counters / and counting down hours / ’til i can lay in the flowers again”. Continue reading »