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My main gig is covering cover songs, so I appreciate a song that shouts out “Nina Simone covering Bee Gees” (that’s the 11th Best Bee Gees Cover Ever, in case you were wondering). A new production trio from three veterans of Vermont’s hip-hop scene – Elder Orange, IAME, Rico James – “With You” brings some freak-funk vibes, like some old Stevie Wonder sample. Maybe someone will cover this soon. Continue reading »
No, indie-pop duo Babehoven “Bad Week” isn’t a play on R.E.M.’s “Bad Day.” “Bad Week” is a moving electro-shoegaze dirge about fighting through depression. As singer Maya Bon sings, “It’s hard to talk about it being a bad week / When it’s been a bad week / For so many weeks now.” She elaborated: Continue reading »
In the endless year-end debate about to rank or not-to-rank, I generally fall on the to-rank side. Putting some albums on and not others is already subjective, so why not go full bore? But I do find that things get increasingly arbitrary the further down the list you go. There is a difference in my mind between #2 and #3. But between #22 and #23? No, not really.
So this year I’m wimping out and doing a compromise: 30 albums, #11-30 unranked, and then the ranked Top Ten at the bottom. A method sure to satisfy no one! Seems appropriate for 2020. Continue reading »
You don’t need me to tell you that 2020 was a crummy year, for musicians especially. That certainly didn’t stop the flow of great songs though. Artists channelled collective fear and frustrations in a variety of ways. One song on this list is literally titled “2020.” Another complains about masks fogging up your glasses. Most, though, are not that literal. Some offer upbeat escapism; others complain about more personal problems than those in the news. They really only have one thing in common: I can’t wait until I can see them performed live.
We’re back! After a summer away on paternity leave (can a blog take paternity leave? well, we did), County Tracks returns with a supersized roundup of everything that went on while we were away.
This is, as always, “we” in the proverbial sense. It’s really just me, Ray Padgett. And I have my second book out this week! It’s about music, of course. Specifically the history of tribute albums, as told through the fascinating story of one in particular (1991’s I’m Your Fan: The Songs of Leonard Cohen – which, even if you don’t realize it, is the reason you know the song “Hallelujah”). It’s in the great 33 1/3 series of small books on specific albums. Hope you’ll check it out! Preorder links and more info over here.
Now, onto the music…
“The Road” is the first song on Bandcamp that Vermont singer-songwriter Abby Sherman has billed as being by the “Abby Sherman Band.” A minuscule rebranding, but one that feels significant. Whereas her best song last year was a stripped-down dirge, “The Road” features a muscular alt-country backing group giving her melody some heft. Special props to whoever played the country-Mark-Knopfler guitar solo. Continue reading »
It’s not clear if this song was written in our current self-isolation, but even if it wasn’t, lines like this have a new resonance: “I’ve been wiping down counters / and counting down hours / ’til i can lay in the flowers again”. Continue reading »
Lotta train songs in the history of American music. “I’ve Been Working on the Railroad.” “City of New Orleans.” “Wabash Cannonball.” Johnny Cash did a whole album of train songs in 1960. Then, two years later, he did a second.
Train songs as a staple of American music pretty much dried up when riding the train here did. Unless Joe Biden records an album about his beloved Amtrak, our supply of new train songs is in short supply. Continue reading »
This Top 40 looks nothing like the actual Top 40. None of these songs charted, and I don’t think any of them aspired to. That is no knock against them, which probably goes without saying here – anyone reading music blogs knows that much. The adjectives “great” and “popular” occasionally attach themselves to the same track, but not often enough.
So just think of this as an alternate history of 2019 singles. It has no horses, and no town roads. It doesn’t teach love, patience, or pain, and isn’t 100% that anything. It also, as the headline says, only includes artists from one rather small state. But this wildly subjective, somewhat arbitrary survey of the past 12 months should serve as a small introduction to the wealth of talent in one community on the geographic fringe. There was a lot of wonderful music being made this year, much of it far from the big cities, or the Billboard charts. Duh. Continue reading »
All those artists supposedly “saving” country music often do so by bringing in non-country elements, from Sturgill Simpson’s psychedelia to Kacey Musgraves’ disco flair. But on new single “Different Tomorrow Night,” Eastern Mountain Time saves country music by playing the genre right down the middle. Songwriter Sean Hood describes Eastern Mountain Time as only a “sorta-country band,” but on this track (and on my favorite song from his last album), he leaps all the way in. Continue reading »
I tried to discern some overarching theme with this year’s Best Songs list. One has to write something in these intros, after all. I never came up with one (other than that the songs are all, you know, good). But maybe that diversity itself offers a narrative thread.
The only thing many outsiders seem to associate with Vermont music is jam bands. Mostly one jam band, really. Now, I’m sure learning that Vermont has other genres wouldn’t surprise any outsider. But learning that the music being created in those genres is equally vibrant – and equally supported by the local music scene – might.
Continue reading »